Cinematographer

experienced Cinematographer

keen eye for detai

.Key Responsibilit

iesLighting & Cinematogra

• phyDesign and impleme

  nt professional lighting set

  ups tailored to each project’s visual tone—ranging from cinematic, moody looks to clean, educational environmen
• ts.Execu

  te precise exposure cont

  rol, particularly when shooting

  in S-Log/Log formats (or) Any raw form

  ats, maintaining maximum dynamic range and color fideli
• ty.Achie

  ve flawless skin to

  ne

  s, balanced highlig

  hts, a

  nd controlled shad

  ows across varied skin types, wardrobe, and set conditio

ns.Camera Operation & Fram

• ingOperate and mana

  ge high-end cinema came

  ras (Sony FX series, Canon Cinema Line, Blackmagic, RED), ensuri

  ng consiste

  nc

  y, sharpn

  ess, a

  nd visual narrative cohere

  n
• ce.Plan and execu

  te shot li

  st

  s, storyboa

  rds, a

  nd camera moveme

  nts that serve the content’s purpose—whether static, engaging talk segments or dynamic B-roll sequenc

es.Color Science & Look Develop

• mentEns

  ure color accu

  racy

  and visual consist

  ency from pre-production through post-product
• ion.Capture footage optimized

  for color gra

  ding, working closely with colorists to establ

  ish visual

  LUTs

  and look development pipel

  i
• nes.Maintain consistency

  in white bal

  an

  ce, color tempera

  ture,

  and light inten

  sity across shooting d

ays.Pre-Production & On-Set Workf

• lowsCollaborate with directors, production designers, and producers to plan

  the visual appr

  oach, ass

  ess location lighting condit

  ions, and ensure the smo

  oth technical execu

  tion of sho
• ots.Cond

  uct camera and lighting rehear

  sals to finalize blocking, movement, and lighting dynamics prior to the main sh

oot.Equipment Handling & Technical Knowl

• edgeManage and maint

  ain camera

  ki

  ts, le

  ns

  es, lighting

  gear,

  and grip equip

  ment, ensuring all setups

  are effic

  ie

  nt,

  safe,

  and production-r

  e
• ady.Stay up-to-date on the lat

  est camera technolo

  gi

  es, lighting techni

  ques,

  and workflow best pract

  ices to continuously innovate the visual out

put.What We’re Lookin

• g ForExper

  ience: Minimum 3+ years

  as a Cinematogr

  ap

  her, Director of Photography

  (DOP) on professional sets Ads or films, ideally with a portfolio showca

  sing inter

  vi

  ews, corporate

  fi

  lms, educational co

  n

  tent, ev

  ents

  and commercial s

  h

• oots.Camera Profic

  iency: Expertise in hand

  ling Sony FX s

  er

  ies, Canon C

  in

  ema, Black

  magic

  , o

  r RED cameras. Solid understandin

  g of frame

  ra

  tes, resolu

  tions,

  and c

  odecs for different distribution platf

• orms.Lighting Ma

  stery: Ability to conceptualize and execute lighting setups

  for varied fo

  rmats, whether controlled studio environments or practical on-location sh

• oots.Color Know

  ledge: Familiarity

  with color grading pipe

  li

  nes,

  L

  UTs, S-Log/RAW work

  flows,

  and color calibr

  ation techniques to ensure seamless post-production integra

• tion.Attention to D

  etail: Hyper-focuse

  d on lighting r

  at

  ios, tex

  tu

  res, color ba

  lance,

  and exp

  osure, ensuring that every frame maintains the visual language of the b

• rand.Collaborative & Orga

  nized: Comfortable working wi

  thin multidisciplinary

  teams, leading small crews, and maintai

  ning efficient production time

  lines without compromising on qua

lity.Nice t

• o HaveExperience

  with virtual production

  se

  tups, LED wall integ

  ratio

  n, or green screen wor

  k
• flows.Knowled

  ge of audio-visual synchroni

  zation, and understanding how to collaborate with sound teams o
• n set.Familiarity

  with motion gr

  aphics, ensuring live-action shot

  s are post-fr

  iendly for compos

itin

killer portfolio, Advertisement experiences and Best Communication